Severn Starlings

Starling murmuration on the banks of the River Severn, shot on 11/01/12.

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Senjahopen Mermaid

Have just retouched an album cover for Norwegian band Senjahopen.

Image ©Rune Bendiksen 2012

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Autumn Lost in London mag

A few bits I’ve retouched in the latest issue of Lost in London Magazine, including these portraits shot by Michael Whelan of Dusty Gedge – a man on a mission to turn London’s urban rooftops green..

Some other great stuff in this issue, including an article about the Tate Modern peregrine falcons, written by BBC Nature Writer of the Year 2010 – Conor Jameson and illustrated by Daishu Ma’s exceptionally well-crafted wood-cuts..

Portraits © Michael Whelan www.m-whelan.com

Woodcuts © Daishu Ma www.daishuma.com / alienandmonkey.com

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Birds over Bristol project

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A few new folio bits..

My latest retouch for TMW / 2011 NZ World Cup

Image © TMW / Guinness

Cannavaro for Nike (©)

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Happy Finish Portfolio Updates

A few updates to my retouching portfolio on the Happy Finish website..

http://www.happyfinish.co.uk/retoucher/sam-twiddy/

Sheepoodle ©Rune Bendiksen for LO Norway

Image ©John Higginson for McCann NY

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Dawn Chorus

This article I wrote about the dawn chorus appears in the spring issue of Lost in London magazine.

It gave me the opportunity to interview Geoff Sample, who I highly respect for the quality of his recordings of British birdsong – www.wildsong.co.uk

I was also lucky enough to be granted permission to use the paintings of my favourite bird artist, Raymond Harris Ching,  to illustrate the article. These paintings originally appeared in the Reader’s Digest / AA Book of British Birds, which I have owned and treasured for many years.

To download a PDF and read the full article click here

Lost in London is stocked in Magma, Pedlars, YCN and the Tate Bookshop or you can order a copy from their website here

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Adrian Winter

Adrian Winter was a great friend of mine who sadly passed away last year. He was incredibly intelligent and knowledgeable and was a massive inspiration to me. His website has just expired and his work will no longer be available to view online, so am posting a very small selection of it here.

These oak leaves were some early examples of works he produced using found objects. After collecting these leaves from a woodland floor during the autumn, he photographed them individually and arranged them in varying spectra of degradation to create this set of images. They are best when viewed as large prints, as the differences in the details of the individual leaves can be studied up close and also make an impressive spectacle when viewed from a distance as a whole.

Adrian’s magpie and bower-bird tendencies were also inspired by man-made detritus. These collections of blue plastic were made from artefacts found whilst beachcombing at Morcambe Bay in Lancashire.

He was interested in the idea that the coast is a place where all that is unwanted by man eventually ends up – nuclear power stations and military ranges get shoved out to the edges of the land, sewage gets pumped out into the sea and any material lost or discarded by ships also washes ashore.

Adrian chose blue plastic to highlight this issue, as although it might seem quite an unnatural material to find in such a wild environment, it is becoming more and more commonplace and is the perfect material to use to represent our man-made and throw-away culture. The colour blue gives emphasis to the point by being such a rare pigment to occur naturally.

These images are also themed around degradation – the plastic artefacts shown have been gradually broken down by the mechanical action of the sea in combination with exposure to light and varying coastal temperatures into smaller and smaller fragments – but that is not the end of the story. Research has shown that microscopic fragments of plastic can be found in tidal sediments. The plastic does not disappear it just gets smaller. Most plastics are largely resistant to biodegradation and are thought to be likely to remain in the environment for hundreds of years. Larger fragments have been found in the digestive tracts of many marine organisms from sharks to fulmars and the deleterious effects of these is reasonably obvious. What effect micro-plastics may have, especially on micro-organisms is still unknown, though studies have shown that filter feeding organisms such as lugworms rapidly accumulate plastics if exposed to such sediments which may have a similar choking effect. Plastic as a material is relatively inert though additives such as bactericides are not. Even “biodegradable plastics” remain in the environment in micro-fragments once the starches which hold the plastic molecules together have broken down.

Adrian concluded his message by using the objects he had collected to create a map of Morecambe Bay - the area they were all found. Here, the darker plastics represent deeper waters and the more degraded and washed-out plastics are used to represent the shallow waters, where the plastics are more rapidly broken down.

 

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Tower 42

Last Autumn, I was part of a pioneering urban bird migration study on top of Tower 42 (formerly the NatWest Tower) in central London, organised and run by David Lindo – aka ‘The Urban Birder’.  We would drag ourselves up to the top of the tower every Friday morning at stupid o’clock, whatever the weather, to look out for migrants making their way south over the city. Although we’d often only see a few pigeons and gulls on the river for our efforts, we’d occasionally be rewarded with passing groups of pipits, soaring sparrowhawks or peregrine falcons on the Tate Modern and Tower Bridge. Regardless of the birds however, there would always be  something to see – from spectacular sunrises over the city as it came to life, to thunderous rainclouds soaking the ant-like pedestrians far below.

As the 2011 Spring migration sessions are about to kick off, I thought I would post a couple of shots from last year.

This view of the London skyline is looking east from Tower 42 towards Canary Wharf. Just before sunrise, the streetlights and offices are glowing brightly

View from Tower 42 of London skyline

Again, looking east, but this time in portrait and just after the sun has risen. The city lights are no longer visible, so have brightened the lower half of this shot to bring out some detail

View of London skyline, just after sunrise

David Lindo, aka ‘The Urban Birder’, at the top of Tower 42 www.theurbanbirder.com

David Lindo, the Urban Birder - Tower 42

The back of my head and a view of the Barbican

Image ©Joe McGorty 2010 www.joemcgorty.com

Sam Twiddy Tower 42

Tower 42 bird study group blog: http://t42bsg.blogspot.com/

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Lost in London magazine

This image, taken in Richmond park, was published in issue one of Lost in London magazine to illustrate an article about the red deer “rut”, that happens every Autumn.

Lost in London is an independent seasonal magazine that “uncovers for its readers a world of peace, wildlife and nature within the nooks and crannies of the city’s hustle and bustle”.

This shot was published in the Autumn / Winter edition, but I’ll also have a small piece in the Spring issue, that should be available soon.

Lost in London magazine, issue 1 - front cover

http://www.lostinlondonmagazine.com/

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